Her professional path has taken her from art history and pedagogy through working with several non-governmental organisations, cultural and creative industries projects, and strengthening local self-government to her current position in the BIRN Hub. So, how did she manage all these positions?
Let’s meet her!
Aida’s academic background in Art History and Pedagogy from the Faculty of Philosophy, University of Sarajevo, shaped the foundation of her interest in how culture, memory, and narrative intertwine. She worked as a curator at Gallery 11/07/95, a memorial gallery dedicated to the memory of the Srebrenica genocide.
“It was there that I encountered the power of war photography through permanent and temporary exhibitions by renowned photojournalists such as Ron Haviv, Narciso Contreras, and Paul Lowe, whose work has shaped how the world sees and remembers the war. These exhibitions were not merely artistic displays—they were testimonies. They revealed to me how photojournalism, particularly war photography, operates at the intersection of art, truth, and justice. On one hand, such images preserve historical facts; on the other, they restore voice and presence to those who were silenced”, Aida explains.
This experience profoundly influenced her understanding of journalism as an active force in memory-making and truth-telling. After her time at the gallery, she worked with several non-governmental organisations on projects related to cultural and creative industries and the empowerment of local communities.
“At the same time, I tried my hand at journalism, exploring one of its many forms. However, I soon (and perhaps just in time) discovered that what resonates more deeply with me is supporting and empowering journalists—those who seek to deepen their knowledge, expand their skills, and explore new tools. I began writing articles focused on practical techniques and digital tools that journalists can use in their everyday work. The aim was not only to share useful resources, but to contribute, however modestly, to raising the overall quality of media content and building the competencies that a resilient, responsible journalism requires”, says Tinjak.
Joining BIRN felt like a natural progression for her. It allowed Aida to continue engaging with narratives that matter, with investigative journalism’s added urgency and responsibility:
“I believe that journalism and art are united by a shared impulse—to communicate, to preserve memory, and to question the world around us. Both serve as powerful tools for challenging oppressive systems and amplifying silenced voices, pushing boundaries and standing as unwavering beacons of truth in a world that often seeks to suppress them.”
When she joined BIRN Hub as a Project/Programme Assistant in 2021, she expected hard work, persistence, and the need to grow into the responsibilities ahead.
”And that’s exactly what awaited me. The road wasn’t without its challenges, but each experience has left valuable lessons that have shaped my professional path. What I hadn’t dared to expect was the depth of connection within the team. It’s the people who make me proud to be part of BIRN—their trust, support, and understanding make every challenge easier and every success more meaningful”, explains Aida.
Now, as a Grants and Project Coordinator at BIRN Hub, her work revolves around coordinating and implementing project activities, and overseeing and managing the grant-making process. In practice, that means a great deal of communication, mostly with journalists who are grant recipients, and quite a bit of administration.
“What makes the role truly rewarding is the opportunity to connect and collaborate with journalists from different countries (even if mostly online), to read their story proposals, and to hear fresh, often powerful ideas. It makes me happy to be, even in a small way, part of the journey that leads to the production of those stories. The job requires solid organisational skills, which I’ve come to value more and more over time. I believe that when things are well structured from the start, it’s easier to navigate the unexpected. While plans sometimes shift and circumstances change, having a reliable structure in place helps me adapt and keep things moving”, says Aida.
One of the BIRN programmes Aida works on is the Fellowship of Journalistic Excellence, which covers a region spanning 14 countries, from Poland and the Czech Republic to Greece and Romania. It has been running since 2007, and more than 150 leading regional journalists have participated. The ERSTE Foundation co-funded it.
“The programme begins with a kick-off seminar in Vienna, where selected fellows from across the region meet, exchange ideas, and begin shaping their stories under the guidance of an editor. This is followed by a months-long process of research, reporting, writing, and revising, resulting in some truly exceptional stories. Many of these stories have been recognised with prestigious awards, which serve as a testament to the programme’s ability to nurture high-quality journalism in the region.
What truly stands out is that the programme doesn’t end once the story is published. Fellows who complete the programme join an expanding alumni network that offers a wealth of opportunities for collaboration, networking, and knowledge-sharing. This network plays a key role in enhancing professional growth and strengthening cross-border journalistic ties”, explains Tinjak.
BIRN is currently working on enhancing the programme’s website, which will feature some new additions, such as an alumni directory—a dynamic database where fellows can connect and showcase their professional biographies. In addition, BIRN will launch a Fellowship podcast series, designed to promote the programme’s brand and delve into the significance of long-form journalism.
Reporting Democracy is another BIRN project Aida works on, and is also supported by the ERSTE Foundation. It is focused on leveraging independent journalism to critically examine the issues shaping the future of democracy in Central, Eastern, and Southeast Europe. It has a network of regional correspondents and publishes a bi-weekly review of key democratic developments — the Twice podcast (Two Weeks in Central Europe).
“Reporting Democracy supports journalists in a variety of ways, including accepting pitches on a rolling basis, commissioning stories, and offering grants. These grants include those provided through the Fellowship for Journalistic Excellence, as well as the Travel and Reporting Programme, which funds journalists from the Visegrad region (Poland, Hungary, the Czech Republic, and Slovakia) to carry out field research and report on Balkan-related stories. In addition, we periodically offer grants for journalists from Central, Eastern, and Southeastern Europe, along with Fellowship Alumni grants available to members of the Fellowship alumni network”, said Tinjak.
In the end, we’re returning to the beginning of our story. Art history and museums’ educational functions remain Aida’s passions, but have evolved over time, although their essence remains unchanged:
“I see it as a continuous thread—quietly reminding me that there is always more to explore and uncover, and that growth often lies just beyond the familiar boundaries. I believe that a diversity of experiences and knowledge is what shapes and strengthens us, preparing us for whatever lies ahead.”
She also continued with her education, becoming a Certified New Media Designer a few years ago. Recently, she’s been revisiting that field, refreshing what she’s learned. After the work is done, Aida has her favourite activities during her spare time:
“I enjoy spending my free time with family and friends—whether that means hiking, catching a live gig, seeing a play, taking a shot at a pub quiz (with more enthusiasm than correct answers ☺ ), or simply going for a walk (and pretending it counts as exercise ☺ ). At other times, it’s about embracing stillness—giving myself and my thoughts the space to pause, regroup, and recharge for whatever comes next.”